Also, 400 is a good general purpose film. To get the best skin tones and colors, you can do one of two things: Shoot it at 800 with an 85 B filter ( find on Amazon ). As such, I then subsequently didnt shoot Portra 800 for nearly a year. Id still like to read your piece about shooting Portra 800 under water. This is something I really like about Portra 400, but for one reason or another, I didnt expect Id get the same consistency from Porta 800, which is an older emulsion.if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_10',184,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-large-leaderboard-2','ezslot_11',184,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-large-leaderboard-2-0_1');.large-leaderboard-2-multi-184{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. Not favorite ISO 800 color film, but favorite color film period. Personally, I absolutely love the look of Pan F+, a 50 ISO film. Human vision can recognize a sheet of paper as white regardless of the colour of light that falls on it. @bvy No argument there, I just took the OP's. Which is why I would again recommend an 85C colour filter to simplify things and save time. An ND (or several) will make your project more manageable. Actually, I was even more pleased with the results than I expected. What happens when CineStill 800T is shot outdoors in daylight? Said by whom? Which prompted me to ask "Well, if that's intended for really low light, is it AT ALL usable outdoors or will I run into problems with overexposure even attempting to use it?". As in, just using shorter shutter-times and higher apertures to not get too much light in. Notify me of follow-up comments by email. . Dial in the lowest possible ISO setting that will give you a fast-enough shutter speed to avoid camera shake. if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-medrectangle-4','ezslot_1',181,'0','0'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-4-0');if(typeof ez_ad_units!='undefined'){ez_ad_units.push([[300,250],'35mmc_com-medrectangle-4','ezslot_2',181,'0','1'])};__ez_fad_position('div-gpt-ad-35mmc_com-medrectangle-4-0_1');.medrectangle-4-multi-181{border:none!important;display:block!important;float:none!important;line-height:0;margin-bottom:7px!important;margin-left:auto!important;margin-right:auto!important;margin-top:7px!important;max-width:100%!important;min-height:250px;padding:0;text-align:center!important}. Id have used Portra 800 instead! I talk more about my colour film workflow here, but I mention this now to highlight the point that there are a lot of variables within the process of shooting film, so really all youre about to read amounts to is a review based on how I personally shoot and have processed this film. The point of mentioning it in that review was more specifically to highlight how versatile the lens had felt on that camera, but adding Portra 800 into the mix really was the final piece of the puzzle for me. Photography on a Cloudy Day . I was using an EOS 300 and set the ISO to 800. It's an old SLR. It only takes a minute to sign up. But generally it's said that 400 or lower is useless indoors, and you should go with 800 or up. Note, it doesn't have the same color style as the other two. Light meter battery ran low and I overexposed my ASA 400 HP5+. I typically prefer results taken with the filter, but its not difficult to imagine that certain photographs may look their best with a bit of a teal colour cast. Some of our partners may process your data as a part of their legitimate business interest without asking for consent. Unless you are overdeveloping. Can you shoot Cinestill 800 at 400? Enter your email address to subscribe to this blog and receive notifications of new posts by email. These were all metered either Sunny-16, or on a couple of occasions with the help of my iPhone as a light meter. demonstrates how its grain behaves and illustrates the impressive 10+ stops of dynamic range: The proprietary Sub-Micron Technology [that] enables 2 stops of extended highlight latitude, so you can follow the action into bright light-in a single shot-without worrying about blown-out details. Can I use high ISO film in bright light (without problems)? So I wanted to know if Portra 800 was just as flexible. Torsion-free virtually free-by-cyclic groups. But I suppose what I can take from this is that it could work, trying to keep the exposure as low as possible, expecting some extra grain. A lower ISO value means less sensitivity to light, while a higher ISO means more sensitivity. Site design / logo 2023 Stack Exchange Inc; user contributions licensed under CC BY-SA. The software can then use those reference points to automatically colour correct your image. I wouldn't call it useless indoors unless you're shooting in poor ambient light and/or working without a flash. I'm not really sure what made me decide to load a roll of it and shoot it in daylight originally, but I'm really glad I did. If your camera's max shutter is limited to (say) 1/1000, and you have a lens with 1/22 minimum aperture, then you can basically only shoot f/22 @ 1/1000, and that's it. To learn more, see our tips on writing great answers. This is another way to let in less light, to work with daylight conditions a bit easier. They stock Portra 800 here, but also supply something like 200 other films making the website interesting to explore as well as purchase from. Film Type: Kodak Tri-X 400 Black & White. To shoot film well you should understand exactly how an image gets made, so the basics of exposure are a great place to start! It's easy to use, produces a classic black and white image with well-balanced contrast, and you have the flexibility to shoot at box speed or pushed from 1 to 3 stops. But since the latter is intended/recommended for such low-light conditions, would that (1600+) be too sensitive to use in daylight? Pull - Halving the amount of light by -1, -2,-3 stops. Answer (1 of 8): If it's a disposable camera, then it came loaded with that film by design. Another is to shoot the film at 400-500 ISO. 1. Number of Exposures: 27. 35mm. If you can get a fast-enough shutter speed at ISO 400, use that. Instead, each film type has an ISO rating which relates to the light-sensitive emulsion layer on the film. My remark of "there's nothing from keeping me" is to deter answers like "There's no wrong answer, get creative. The issue you may run into is that your camera might not have the aperture/shutter speed combination to properly expose the film. Among other things, you can slap a four-stop (ND16) neutral density filter on your camera and shoot as though you were using ISO 100 film. Kodak Portra 800 and Lomography 800 are about the only options I could find today. Let us know in the comments below and tag us in your Cinestill pics on Instagram @gridfiti. So, in general, you can shoot at a very low ISO. It is measured in degrees Kelvin which is the temperature a perfectly black object needs to be heated to in order to glow a certain colour. I'll have a look at ND-filters. Some notable 800 ISO features include fine grain that really only comes out in low light photos, the ability to shoot in lighting of all kinds, and being able to up the shutter speed to . I have been wanting to write about my latest crush, Portra 800, even made a selection of photos to include, but didnt get to writing it yet. Obviously grain is not ideal but it is also not my primary concern, at least at this point in my analog journey. As for who said 400 or(!) However, sticking with a 1600 ISO film might turn out to be rather limiting on a sunny day. The filter will also darken the image, so you will need to meter at 400 on a handheld meter to compensate. This twin pack of FUJIFILM INSTAX MINI Instant Film contains 20 sheets of instant color film that is compatible for use with the INSTAX MINI series of cameras. is used to define and measure various light sources colours on the spectrum from red to blue. CineStill takes advantage of a C . Regardless, the ideal ISO/EI to rate this film at will always be somewhere between 400 and 800 without push processing. I included a bunch of these results in my review of the lens here, but I didnt go into much depth about just how impressed Id been with Portra 800. Clearly this story is heading in a very specific direction - I . CineStill 800T with and without 85C warming filter. These next shots were taken at EI200, and though this seemed to emphasise a yellowish-shift in the scans, it was nothing I couldnt post-process out with relative ease. The light-sensitive film requires less light to develop a properly exposed photo. An artificial light scene, taken on daylight-balanced Lomochrome Metropolis film. shooting film is almost a Zen approach to photography. This can make for an interesting effect or appear undesirable. I've never really liked shooting indoors or using a flash so I usually avoid it. I cant remember exactly, but I suspect I might have decided to load a faster film to counteract the effect or also using a slower lens in the winter months. Kodak Portra 800 is quite possibly my favourite colour negative film. The difference in colour balance between shots taken with and without the filter depends on the time of day and the scene. Kodak Portra film rated at ISO 800. . And I could consider a filter. And if you shoot it in daylight, a sunny day is 5400k and shade is 6500-7000k, meaning that shooting tungsten film in daylight will give you completely blue photos. I also found the results out of the Noritsu to be quite impacted by the slight yellowish-orange cast this scanner is quite well known for. [CDATA[ When there's less available light: Daytime when it's not so sunny, dusk/dawn, indoors without a flash. In short, your mileage may vary, but I hope that this at least gives a rough idea of the sort of results you can expect to achieve. Technically, an ISO 800 film would be the safer choice. The Sunny 16 Method I am old school and just curious about the settings on Film camera. He reviews it. Why was the nose gear of Concorde located so far aft? I only started shooting Portra 800 last year, when looking for more speed for underwater photography, but expanded the use shortly after that. If you're careful with your metering, you can still get fine . Understanding how to expose in lower-light and how to scan properly can reap much better results in my experience but anyway, thats a rant for another day. The 28-70 lens was a little lower-contrast and not quite as high resolution as a lot of the lenses I normally shoot. f/5.0, 1/160 sec . What happens if you shoot 800 film at 400? In my experience, the filter required no exposure adjustments. As Ive mentioned a few times throughout this post, its also incredibly versatile. This remarkable emulsion is always in high demand, and its not just the hype: this film delivers for both perfectionists and experimental photographers. Or maybe it just has aggressive highlights or some such side-effects? (You might have seen that why shoot film? I wrote for Em last yr that was mostly about the relationship between grain and the image.) Shutter speed is the . It single-handedly converts your emulsion to daylight-balanced stock. These aren't showstoppers, just things you should be aware of. I say that as someone whos just committed to shooting only P3200 and Ektachrome E100 for at least 6 months in a bid to learn these two returned-to-market films from Kodak properly. Neon lights are very easy to shoot. I've never messed around with film that's much different from the consumer standard of about ISO 200-400. The Hexar, of course, has the advantage of a built in light meter that happens to suit me very well. I only shot two or three rolls have a couple in the fridge but I think its a waste of time. There are a couple ways to cut down on exposure and create a warmer image with more accurate color when shooting this stock in daylight. Save my name, email, and website in this browser for the next time I comment. With a relatively high ISO, the film provides well-lit subjects, even in areas that are shaded or relatively dark. Im new to 35mm photography and am very much still getting the hang of things. Because of the issues listed previously, I thought shooting a single piece of Instax film instead of placing the entire pack of Instax into the Big Shot would work much better. Tonight I'm going to a little get together indoors and wanted to try it out. and our Fast speed film will result in the grainiest photographs but is great to use when shooting fast-moving subjects in low light conditions. How have you found the lomography stuff? This created predictable consistency in the scans. Depends on the application. "One of the brand's best single-use cameras." Best Value: Fujifilm Disposable 35mm Camera with Flash at Amazon. Id be interested to do that comparison in my workflow too. More like well-lit to shadier areas. Overall, Ilford HP5 Plus 400 is one of the best value black and white film stocks available. So, when you select a film to use, you need to consider the look you're going for and what the film speed will mean for your Aperture/Shutter Speed ranges in the given shooting condition. They are very nice but those night shots are amazing. . Based on Kodak Vision 3 500T movie stock, which CineStill cuts and repackages for still cameras, 800T offers an. So develop a relationship with and love your lab. The very fact that disposables exist and are bought and used by people suggests that the makers of disposables have considered users' typical reason for buying such cameras. - If I would choose without looking at the visual styles of the film, I'd just go with 800 or maybe 400. In most cases, a 400-speed film will allow you to get perfect exposures without a tripod. CineStill 800T in daylight (colour-corrected). Set your camera to the desired camera speed (something different than the film speed) and shoot the film as you usually would. But since the latter is intended/recommended for such low-light conditions, would that ( 1600+ ) be sensitive. No argument there, I then subsequently didnt shoot Portra 800 is quite possibly my favourite colour film... And save time the safer choice far aft Fast speed film will allow to... -2, -3 stops film requires less light to develop a properly exposed photo with! 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