Everyone says this person is a great architect-artist and yet, the world goes on pretty much without any reference to this particular kind of exotic project. Architect Lebbeus Woods, who has uncompromisingly hewed to experimental, unbuilt designs throughout his career -- such as his crisis designs for Sarajevo, Havana and San Francisco after the quake, poses in his New York home. Radical Reconstruction Lebbeus Woods. New York. His architecture makes clear that it is never the protagonist, but only an excuse, a stage and setting for the trappings of history, one in which architecture takes part. And then how do you reconcile that with the exotic project that by random luck you manage to get through? He was 72. It was one of those moments to treasure, for the obvious reasons of him being of one my heroes, but mostly because that day, we become some sort of friends. New York: Princeton Architectural Press, 1997 . Lebbeus Woods 1940—2012: Tributes to a fearless creator of worlds Steven Holl, Zaha Hadid, Neil M. Denari, Christoph A. Kumpusch, Thom Mayne and ten other friends, admirers and collaborators remember visionary architect Lebbeus Woods. Through a lifetime of work, the vast majority of it existing only on paper, Woods challenged the architectural establishment, railing against boring buildings and resisting the temptations of money and fame that turned architects like Zaha Hadid and Rem Koolhaas into celebrities. Aug 22, 2008. Lebbeus Woods born 1940 in Lansing, Michigan is an American architect and artist. Radical forms of salvaged material act as “scabs,” over the “wounds” of a building damaged by war and disaster. The Havana Project ist der Versuch der Architekten Coop Himmelb(l)au (Wien/Los Angeles), Thom Mayne (Los Angeles), Eric Owen Moss (Culver City, CA), Carme Pinós (Barcelona), Lebbeus Woods (New York) und C.P.P.N. Lebbeus Woods sued because the image was clearly inspired in his work and was used without his consent, and although the conditions were not made public, it is believed to have been a six-figure settlement. A vanishing breed of architect whose mission is to forge a provocative vision of a possible realty. Lebbeus Woods. It is both a lively and forbidding publi… Print. San Francisco Bay Project, 1995. Havana, 1994, part of Radical Reconstruction. Drawing transformed him, and he transformed drawing, and together they transformed the discourse. He was an architect for architects. Foreword by Fidel Castro Ruz, Projects for the old city of Havana by Lebbeus Woods, 1995(from the publication “The Havana Project”, edited by Peter Noever, published by Prestel, Munich/New York), “The Havana Project”, Exhibition at The Schindler House (3 April – 11 September 1996), MAK Center for Art and Architecture, Los Angeles, USA. I was very impressed by his former drawings on Sarajevo and his vision for Havana as a city growing from a wall. Many of the great and not so great (including myself) architects like to think that they don’t, they won’t, they shouldn’t sell out, compromise, retreat (maybe), but they / we do, but I knew one who didn’t, not clear to me why, or how, or even it was worth it, but he didn’t, that by itself it not necessarily amazing, what make it quite extraordinary, is that his voice, his visions, were extraordinary, the eminence of an unique virtuosity, and that is an strange commodity and as such very valuable, is easy not sell out when you have nothing to sell, is incredible difficult when your offer is immense. Lebbeus Woods’ Manifesto was shown in the permanent MAK architecture collection 1992–2012 among experimental works by Raimund Abraham, Günther Domenig, Driendl*Steixner, Frank O. Gehry, Zaha Hadid, John Hejduk, Coop Himmelb(l)au, Frederick J. Kiesler, Daniel Libeskind, Thom Mayne – Morphosis Architects, Eric Owen Moss, Carl Pruscha, Helmut Richter, Rudolph M. Schindler and Lebbeus Woods.
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