[3] In Between Darkness and Light (After William Blake) (1997), William Friedkin's Exorcist (1973) and Henry King's The Song of Bernadette (1943) - two films about adolescent girls driven by external forces[4] - are projected on either side of a single free-standing semi-transparent screen so they can be seen simultaneously. +44 (0)131 624 6200 In a way, it is a self-portrait, since we are what we remember. [email protected]. OVERVIEW ARTWORKS (284) For general enquiries regarding your visit or gallery services: View artworks for sale or loan by Douglas Gordon (British, 1966) on MutualArt and find more works from galleries, museums and auction houses worldwide. Biography and art, auction, artworks, interview, statement, website: Douglas Gordon. Important shows have been staged in Frankfurt (2011), Edinburgh and New York (2006), London and Bregenz (2002), Los Angeles (2001), Liverpool and Paris (2000), and Eindhoven (1995). He lives and works in Berlin, Germany. (26.35 cm x 20 cm) Date Acquired 2014 Credit Collection SFMOMA Gift of Carla Emil and Rich Silverstein Copyright [14][15] Another 2006 retrospective was on view at the Kunstmuseum Wolfsburg, Germany, and the Scottish National Gallery of Modern Art, Edinburgh. 'People who buy art should buy it like they buy veg. He won the Turner Prize in 1996, the Premio 2000 at the 47th Venice Biennale in 1997 and the Hugo Boss Prize in 1998. About this artwork. In 2005, he put together an exhibition at the Deutsche Guggenheim, Berlin called The Vanity of Allegory. Find an in-depth biography, exhibitions, original artworks for sale, the latest news, and sold auction prices. His work often overturns traditional uses of video by playing with time elements and employing multiple monitors. [5] The footage showing Minnie’s sequences of tricks is simultaneously presented in a front and a rear life-sized projection and on a monitor, with each one depicting the same event from a range of perspectives, including close-ups of the animal's eyes. He has won numerous awards including the Turner Prize at the Tate Gallery, London in 1996, the Premio 2000 at the XLVII Venice Biennale in 1997, and the Hugo Boss Prize at the Solomon R. Guggenheim Museum, New York in 1998. When Shirley Manson Met Douglas Gordon . He teaches at the Städelschule, Frankfurt and lives and works in Berlin and Glasgow. Douglas Gordon (Scottish, b. Douglas Gordon is a Scottish photographer and video artist, known for his art installation 24 Hour Psycho, which consists of appropriation of Hitchcock's movie Psycho. Having begun his career as a performance artist, Gordon has produced a diverse body of works, which has grown to include video, sound photographic objects, and texts, often plays with viewers’ perceptions, memories and expectations. [5] Feature Film (1999) is a projection of Gordon's own film of James Conlon conducting Bernard Herrmann's score to Vertigo, thus drawing attention to the film score and the emotional responses it creates in the viewer. Douglas Gordon follow aGothic, 2019 Tête de corbeau taxidermisée, carafe, pinceau, aquarelle, eau, miroir / Taxidermy raven head, jug, paintbrush, watercolour, water, mirror 36 x 36 x 42cm (14,17 x 14,17 x 16,54 in.) This is the element that engenders those movements and allows us special insight. Much of Gordon's work is seen as being about memory and uses repetition in various forms. In 1996, he became the first video artist to win the Turner Prize. Douglas Gordon: Phantom, 11 December 2014 – 17 January 2015. Gordon was born in Glasgow, Scotland. Gordon was born in Glasgow and studied at Glasgow School of Art and the Slade School of Fine Art, London. Douglas Gordon makes videos, installations, photographs and text pieces, using both found and original material, in an attempt to lay bare the ambiguities of human life. The work thus presents the artist, and by implication the viewer, as sadistic. A Divided Self I and II 1996, which references the classic novel The Strange Case of Dr Jekyll and Mr Hyde of 1886 by Robert Louis Stevenson (1850-94) is an example of Gordon exploring themes such as supposed opposites within a single piece. The text installation List of Names (1990–ongoing) also explores the role of memory. [1], Gordon has often reused older film footage in his photographs and videos. From Hollywood films to scientific footage to classical literature, Douglas Gordon takes the seemingly familiar and twists it. Much of Gordon's work is seen as being about memory and uses repetition in various forms. He lives and works in Berlin, Germany. 1966) visualizes, pictures, and “sculpts” time in many of his works. He lives and works in Berlin, Germany. In Phantom (2011), another collaboration with Wainwright, Gordon employs slow-motion film produced with a high-speed Phantom camera focusing on Wainright's eye — blackened with make-up, weeping, and glaring back at the viewer, echoing melodramatic performances by stars of the silent screen.[12]. Gordon’s religious upbringing made him deeply aware of human beliefs and he uses these throughout his work. Gordon studied at the Glasgow School of Art and the Slade School of Fine Art. The two screens are virtually the same size as the elephant. Douglas Gordon: I had nowhere to go. In 2008, Gordon was a member of the Official Competition Jury at the 65th Venice International Film Festival. From Hollywood films to scientific footage to classical literature, Douglas Gordon takes the seemingly familiar and twists it. He has worked in video, photography, sound, text and other media and uses predominantly 'found' material. Gordon took part in the Biennale of Sydney 2014 and Documenta 17. Douglas Gordon and Morgane Tschiember - Untitled Douglas Gordon is a contemporary artist interested in human conditions like memory and the passing of time, themes that he expresses through various media spanning from video, over installation, to text. In one installation, this was placed at the top of a tall building, referencing one of the film's main plot points. In 24 Hour Psycho (1993), Gordon takes Alfred Hitchcock’s famous 1960 film Psycho and slows it down so that it runs for twenty-four hours. Likewise, a work such as Pretty much every film and video work from about 1992 until now. [17][18] The Guggenheim collection also include Through a Looking Glass (1999) and Tattoo (for Reflection) by Gordon. Kunst-Werke Institute for Contemporary Art, Learn how and when to remove this template message, Museum Hosts '24 Hour Psycho' -- Literally, At MoMA, Douglas Gordon: The Hourglass Contortionist, Douglas Gordon: 'Through a Looking Glass', ART IN REVIEW; Douglas Gordon; Franz West, Douglas Gordon: self-portrait of you + me, after the factory, 31 October – 15 December 2007, "New" Museum of Modern (Contemporary) Art, Douglas Gordon: Fog, 4 November – 23 December 2004, "Migros Museum für Gegenwartskunst–Werke in der Sammlung", "Collections en ligne | Musée d'Art Moderne de la Ville de Paris", "Search Result Details - Hirshhorn Museum and Sculpture Garden | Smithsonian", "Research on Contemporary Artists - haaedu.org", Turner Prize 1996 artists: Douglas Gordon, Roswitha Haftmann Prize Goes to Video Artist Douglas Gordon, "Professor Douglas Gordon CorrFRSE - The Royal Society of Edinburgh", Review of "what you want me to say..." exhibition in Barcelona, "Pretty much every film and video work from about 1992 until now. . He has achieved huge international recognition, marked by major awards, including the Turner Prize in 1996, and by exhibitions in museums in Europe and America. Type in your search keywords, then submit or select one of the suggestions. He won the Turner Prize in 1996, the Premio 2000 at the 47th Venice Biennale in 1997 and the Hugo Boss Prize in 1998. Gordon explores the degree to which we are all subject to shifting identities. He … (1992-), Everyone I Have Ever Slept With 1963–1995, The Physical Impossibility of Death in the Mind of Someone Living, https://en.wikipedia.org/w/index.php?title=Douglas_Gordon&oldid=1000775067, BLP articles lacking sources from October 2017, Wikipedia articles with RKDartists identifiers, Wikipedia articles with SNAC-ID identifiers, Wikipedia articles with SUDOC identifiers, Wikipedia articles with WORLDCATID identifiers, Creative Commons Attribution-ShareAlike License, 2018: Elected a Corresponding Fellow of the, This page was last edited on 16 January 2021, at 17:25. Everyone knows the plot of Psycho and can anticipate what will happen, but in Gordon’s version, this is constantly frustrated, since the future never seems to come. Artworks Scotland (2004– ) Rate This. Douglas Gordon is a contemporary Scottish artist known for his ability to disrupt preconceived ideas about reality. [8] Gordon also made a film about Zinedine Zidane, Zidane, un portrait du 21e siècle (2006), an idea first seen in a film by Hellmuth Costard, who, in 1970, made a film about George Best titled Football as Never Before. In each projection the camera circles as the elephant walks around, lies down to play dead and gets up. In the works of video artist Douglas Gordon – one of the most important “visual artists” of his generation, awarded with the prestigious Turner Prize in 1996 when he was just 30 years old – the timing of movie narration gets twisted by a new device, that modifies its extension, its message, and the perception of the action it encloses. Please consider making a donation or joining our Friends. The permanent collection of over 1,600 works of modern and contemporary Art and Art, London and... Registering in the website you will be able to seamlessly ‘ Favourite ’ images and download large for... 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